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Album Review: What Happened To The Beach by Declan Mckenna

Declan McKenna’s third album, “What Happened To The Beach?” takes listeners on a musical journey that highlights the artist’s evolution and maturity. Departing from expectations, the title might suggest a nostalgic or introspective exploration, but the album surprises by charting its own unique course.

The opening track, “WOBBLE,” sets an intriguing tone with its folk-like guitar melody, deviating from McKenna’s previous discography. As the song unfolds, it becomes evident that this album thrives on musical experimentation. The track introduces a new era, marking a departure from McKenna’s earlier works, with sharp drums and modulating keys creating an engaging auditory experience.

“Elevator Hum” follows, presenting a quintessential indie track that seamlessly integrates pleasant, gliding horns. McKenna’s literal hums in the verses contribute to the creation of a playful atmosphere, encouraging listeners to embrace unimpeded joy.

The album incorporates a nod to the 1960s in songs like “I Write The News” and “Sympathy.” While the former opens as an earthy acoustic-style demo, the transition to a speak-singing performance might leave some listeners divided. However, the latter, the lead single “Sympathy,” stands out as a high-energy classic, reminiscent of The Beatles’ lively compositions.

As the album progresses, McKenna skillfully weaves moments of exhilaration into various tracks. “Mulholland’s Dinner and Wine” narrates a wild West Coast evening, capturing the carefree Los Angeles vibe. The production work in this track allows McKenna’s breathy vocals to feel distant, contributing to the overarching theme of indulgence and the exploration of darker aspects of LA life.

Tracks like “Nothing Works” delve into McKenna’s frustration with societal norms, using commanding rock elements to amplify the message. The vulnerability in the lyrics, combined with stacked, staticky vocals, creates a compelling piece that stands out among the album’s offerings.

The collaborative efforts of McKenna and producer Gianluca Buccellati are evident in the intricate production throughout the collection. “Breath Of Light” combines metallic-sounding instrumentation with reverberant, distorted audio, creating an almost supernatural ambiance. In “The Phantom Buzz (Kick In),” McKenna’s mastery of sound is showcased, providing listeners with an immersive experience akin to a musical high.

The penultimate track, “It’s an Act,” deviates from flashy production, presenting one of McKenna’s best songs to date. The intimate moment addresses the suppression of genuine emotions to please others, delivered with McKenna’s quavery vocals, making it a poignant and authentic piece.

The album concludes with the brief yet impactful “4 More Years,” leaving audiences with room for interpretation and anticipation for McKenna’s future musical endeavors.

In summary, “What Happened To The Beach?” is a testament to Declan McKenna’s artistic growth and confidence. The album successfully navigates diverse musical styles, showcasing innovation and maturity while maintaining a playful authenticity. McKenna’s ability to experiment with sound and lyrical themes sets this album apart, making it a standout addition to his discography.

Author

  • Keyali is the Founder, Creative Director, and lead photographer of Next Wave Magazine, an independent Colorado-based music publication dedicated to covering emerging and independent artists. Since launching the magazine in college, she has built relationships with major PR teams, covered festivals including Coachella, and photographed and interviewed artists such as Ruel, Corbyn Besson, The Aces, Benson Boone, Bradley Simpson, and Tenroc. Her concert photography is also published under her personal brand, feelslikehxme. When she's not in a photo pit, Keyali runs Pink Panic Club, a Y2K-inspired lifestyle brand, and keeps a close eye on the business side of the music industry — from artist management to label strategy.

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Keyali Mikaela

Keyali is the Founder, Creative Director, and lead photographer of Next Wave Magazine, an independent Colorado-based music publication dedicated to covering emerging and independent artists. Since launching the magazine in college, she has built relationships with major PR teams, covered festivals including Coachella, and photographed and interviewed artists such as Ruel, Corbyn Besson, The Aces, Benson Boone, Bradley Simpson, and Tenroc. Her concert photography is also published under her personal brand, feelslikehxme. When she's not in a photo pit, Keyali runs Pink Panic Club, a Y2K-inspired lifestyle brand, and keeps a close eye on the business side of the music industry — from artist management to label strategy.

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